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Fataltourist: you don't have to be an expert to program a DX-7. Sure, it's not so simple as it might sound, but it's quite easy. And if you have the time, you'll get there. You can't just assume something about a patch, just because a lot of other people claim so. Don't get me wrong, I'm not doubting what you're saying, but I'm saying it all a bit too confidently. Most of the people that claimed that were DX7 owners, the DX7 is the most popular FM synth on the planet, and it's been around for ages, so it's obviously too easy to guess that what they say is true. I'm not saying you're wrong, but after a few years of DX7 playing, I started to notice that many preset sounds sounded a bit weird. This led me to read about the DX-7, and I started to learn about FM synthesis. I'm not an expert, and I'm not claiming to be. But I've still managed to find some interesting effects, like the unique and messy one that is the DX7. Also, the fact that they're 'obvious', that's the very definition of easy. Fataltourist 22:57, 17 December 2005 (UTC)
The DX200 is basically obsolete, thanks to the DX100 (and its DX7-compatible predecessor, the DX100S). But the DX200 does have a few uses: it's the simplest, cheapest, easiest-to-use way to get close to the DX7 sound (providing you don't care about the DX100's long-term availability). Plus, the DX200 has FM7 and DX7 editor compatibility, so you can use it for patch testing, or use it as a DX7 emulator (there are many DX7 emulators available on the Net). The DX200 also has its own preset browser, which is a huge help when learning how to design your own patches, or when looking for a sound that's close to some custom-made DX7 patch. Plus, the DX200 can be used in tandem with an external DX7 to create (and test!) patches that are only available in the DX200 editor. This can be useful if you're working with a DX7 that's missing some of the sounds that you've been working with lately.
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